Monthly Archives: May 2014

Quentin Letts Shows Us What Ugly Is

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What Ugly Isn't

What Ugly Isn’t

There’s been an uproar in the opera world after London critics delivered a series of very personal insults regarding Tara Erraught’s weight. “Dumpy of stature”, “unappealing”, and “chubby bundle of puppy fat” gives you a sense of it. Most of the critics have since tried to contextualize their comments as specific to the role at hand, one in which Miss Erraught plays a rakish young man. Indeed, it’s somewhat easier to swallow these comments as captions under an image from the production being reviewed than under Miss Erraught’s publicity still. But in a startlingly tone deaf retort, Quentin Letts in the Daily Mail actually doubles down, amazingly hurling a new round of insults towards the singer while defending the critic’s responsibility to speak their truth.

Here’s the thing Quentin, your truth ain’t shit. Your narrow definition of beauty has been polluting our collective brains for too long. If you were really searching for a truth, your criticism would read more like “Miss Erraught, who is more attractive than ninety nine percent of the people I encounter in the real world, and quite a bit more attractive than anyone I have ever shared any sort of intimacy with, doesn’t match the standard of beauty that I have been conditioned to expect when watching television or movies. By choosing to use my reviews to point out this difference in a particularly hateful way, I not only perpetuate these ridiculous, deceitful, and disgusting expectations, but I show that people who don’t conform to these standards shouldn’t be treated with respect or consideration. In short, I am a total asshat.”

Now that’s a truth worth publishing.

We’ve learned a lot about these critics in the past few weeks, enough for me to completely discount their thoughts and opinions regarding just about anything. We’re not censoring your thoughts, Quentin, we’ve just realized that they’re worthless.

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When Bad Music Happens To Good Critics

In an article entitled “The Composer As Critic” composer Andrew Ford conflates two points, first that one should be able to divorce your own taste from one’s criticism of a piece, and second, one should refrain from reviewing bad works in general. In making his case, Ford cites Auden: “Attacking bad books is […] a wasteContinue Reading

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Battle Chorale at the SF Conservatory

Choral writing is the foundation of Western music, the genesis of counterpoint, and the basis for functional harmony as we know it. Writing for chorus (as well as singing in a chorus, regardless of vocal abilities) was a requirement for compositions students of Nadia Boulanger, (as well as in the European American Music Alliance programContinue Reading

One Response to Battle Chorale at the SF Conservatory

  1. […] – Review of i thank You God for most this amazing day as performed by the International Orange Chorale in Music vs Theater by Brian Rosen: http://musicvstheater.com/2014/05/16/sfcmchoralcompetition/ […]

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Four Laughs Per Minute: What Music Can Learn From Comedy

In his setting of the Lamentations of Jeremiah, premiered last week in its entirety by Cantori New York (and again this Saturday, May 10), composer Benjamin C. S. Boyle finishes each verse with a recapitulation of the refrain “Ierusalem, Ierusalem, conertere ad Dominum Deum tuum”. With each return, the treatment of this text becomes increasingly ecstatic,Continue Reading

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Review: Singing Sexbots – The Companion

The other brief opera presented last week at Roulette by Ear Heart Music, American Opera Projects, and the American Modern Ensemble took a much more traditional approach to the theatricality of opera. While The Wanton Sublime was a static, largely plot-less monologue, The Companion was a fairly straightforward musical play, with conventional scenes, dialogue, conflict,Continue Reading

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