Arguendo – Bringing the Supreme Court to Life

Just back from NYC where I saw 16 performances in 10 days, the entire Prototype Festival of new opera, co presented by HERE Art Center and Beth Morrison Projects, and large chunks of the Under the Radar festival at the Public Theater. That’s a lot of theater. And much of it was fantastic. When askedContinue Reading

Einstein and Moby and LINES, Oh My!

It’s been a big week for massive sweeping ambitious works of art. I read Cloud Atlas in preparation for the release of the movie (book is great, movie less so), saw Jake Heggie’s Moby-Dick at the SF Opera, watched Alonzo King’s LINES Ballet at Yerba Buena Center for the Arts, and capped the week offContinue Reading

Let’s Get Ready To Rumble!

Time to put the game face on. It’s about to get real. I’m goin’ big or goin’ home. (Continue with the conspicuously out of place sports phrases at will.) Very proud to announce that the string quartet I composed in Paris this past summer as part of the EAMA programĀ “Do A Little Dance” was selectedContinue Reading

Why bother composing?

Jeffrey Parola sounds kinda bummed in his latest blog post. He outlines the all too familiar plight of the contemporary concert music composer (no appreciation, money, and little hope of either). He then earnestly asks: Why do we bother? In my mind the answer is simple. Creation of music that didn’t exist before HAS toContinue Reading

June 24 – Sneak Peak of Failing That (my solo opera)

I’ve been doing a lot of composing so far this year. In addition to an encore for the Hilary Hahn competition (which didn’t result in an honorable mention, but did result in a pretty cool piece for violin and piano), I’ve been chugging away on the solo opera that’s been a good four years inContinue Reading

The Tauntaun Song

Last month I participated in A Musical Emergency, which is a loose collective of theater and music folks in SF that turns popular stories or movies into full length musicals. They divide the story up into bite sized chunks and everyone’s responsible for telling their part of the story however they feel. The movie wasContinue Reading

I Hate This So You Can Tell Who I Am

Today’s blog entry in Deceptive Cadence echos a theme of my Voice Box radio show with Chloe Veltman and the corresponding conversation on Lisa Hirsch’s blog. Specifically, musical taste, both what you love and despise, is often more about self identification, ego, and image than it is about the music at hand. Some of theContinue Reading

Come for the Schoenberg, stay for the Johnson

The Avant Music FestivalĀ got a lot of press earlier this week for their part in the John Cage centennial, a sold out marathon concert of his works. While I missed that extravaganza, I was able to swing by for the third concert of this, their third year. The first half was dedicated to Schoenberg’s seminalContinue Reading

Review: Little Match Girl Passion – Death Speaks

To get to Dinkelspiel Auditorium for an 8pm concert on a Wednesday requires leaving San Francisco at 6pm, an hour to get to Palo Alto fighting traffic all the way, and then another 45 minutes to an hour to fight the crowds to get a scarce campus parking space. Things will be different when StanfordContinue Reading

The worst music ever written

A couple of weeks ago I recorded an episode of VoiceBox with Chloe Veltman about the worst vocal music ever written. While preparing for the show I did my best to try to analyze the nature of “badness”, perhaps even creating a taxonomy of characteristics that contribute to bad music. The goal was to notContinue Reading